The clerical exegesis within Chaucer's Canterbury Tales has frequently been connected to medieval ethical commentary traditions. This paper challenges that idea with new manuscript evidence from paraphrases of Ovid's Metamorphoses, which would have taught Chaucer how to read and write. The article argues for a re-evaluation of Chaucer's relationship to the clerical milieu that inspired his characterization of the Monk, the Wife of Bath and her husband Jankyn, the Summoner, and the Summoner's friar. The ways in which these characters adapt and comment on hermeneutics elucidate both the means by which lay readers accessed clerical discourse and the patterns of reading and textual analysis that inspired the composition of parts of the Canterbu...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
The Man of Law, The Wife of Bath, and The Pardoner all have their identities mired in medieval cleri...
Includes bibliographical references.When one considers The Canterbury Tales, which is generally acce...
It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. Thi...
It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. Thi...
A brief commentary prepared by Miriamne Ara Krummel, PhD, Associate Professor, English, on the follo...
Despite the immense progress that has been made in Chaucerian studies, little research specifically ...
(from publishers site) Chaucer’s The Nun’s Priest’s Tale is one of the most popular of The Canterbur...
Geoffrey Chaucer was a religious poet-diplomat in 14th century England and as such was in a unique p...
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
The Man of Law, The Wife of Bath, and The Pardoner all have their identities mired in medieval cleri...
Includes bibliographical references.When one considers The Canterbury Tales, which is generally acce...
It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. Thi...
It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. Thi...
A brief commentary prepared by Miriamne Ara Krummel, PhD, Associate Professor, English, on the follo...
Despite the immense progress that has been made in Chaucerian studies, little research specifically ...
(from publishers site) Chaucer’s The Nun’s Priest’s Tale is one of the most popular of The Canterbur...
Geoffrey Chaucer was a religious poet-diplomat in 14th century England and as such was in a unique p...
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...